DEAF WEST, THE LA PHIL, & GUSTAVO DUDAMEL PRESENT BEETHOVEN’S “FIDELIO”

Press Contact for Deaf West Theatre:

Michael Jorgensen
michael@jorgensenpr.com

Contacts for the LA Phil:
Sophie Jefferies, SJefferies@laphil.org

Laura Cohen, LCMediaPR@gmail.com
Kassandra Winchester, KWinchester@laphil.org


FOR IMMEDIATE RELEASE, PLEASE

DEAF WEST THEATRE,
LOS ANGELES PHILHARMONIC,

AND,

GUSTAVO DUDAMEL

PRESENT 


BEETHOVEN’S ONLY OPERA
“FIDELIO”

WALT DISNEY CONCERT HALL
APRIL 14-16, 2022

DIRECTED BY ALBERTO ARVELO

CO-DIRECTED BY JOAQUÍN SOLANO 





THE FIRST-OF-ITS-KIND PRODUCTION


FEATURING A STAR-STUDDED CAST OF
DEAF ACTORS,
DEAF PERFORMERS OF VENEZUELA’S CORO DE MANOS BLANCAS,
AND
HEARING SINGERS WITH THE 
LOS ANGELES MASTER CHORALE 


THE SEMI-STAGED PRODUCTION FOR DEAF AND HEARING AUDIENCES WILL DRAW ON THE EXPRESSIVE POWER OF AMERICAN SIGN LANGUAGE (ASL) AND BEETHOVEN’S MUSIC TO 
TELL THE TIMELY TALE OF TRIUMPH OVER OPPRESSION



Los Angeles, CA (March 10, 2022) — From April 14-16, 2022, Los Angeles Philharmonic Music & Artistic Director Gustavo Dudamel will conduct the Los Angeles Philharmonic and a star-studded cast in a groundbreaking event directed by Alberto Arvelo, co-directed by Joaquín Solano, and produced in collaboration with Los Angeles’s acclaimed, Tony Award®-winning Deaf West Theatre (Artistic Director DJ Kurs) and Deaf performers of El Sistema’s Coro de Manos Blancas (White Hands Choir) in a new production of Ludwig van Beethoven’s only opera Fidelio at Walt Disney Concert Hall.



Created for both Deaf and hearing audiences, the semi-staged production draws on both American Sign Language’s (ASL) expressive, gestural poetry and Beethoven’s music to tell the powerful tale of redemption and liberation. The idea for the production was originally developed by Gustavo Dudamel through his Foundation, which he co-chairs with his wife, actress María Valverde, as a means of elevating Deaf artistry to illuminate the opera’s central theme: the fight to overcome obstacles in order to discover one’s own personal freedom. Fidelio premiered in 1805 as Beethoven was reckoning with his own Deafness.

Gustavo Dudamel said, “All art is rooted in the deeply human need to communicate something, and to have that communication be received and felt. Fidelio is perhaps Beethoven's purest expression of our ability to overcome adversity, and to reach one another across a seemingly insurmountable divide. That belief in the transformative, transcendent power of music is at the heart of this production, where we have partnered with the extraordinary artists of Deaf West Theatre and the Coro de Manos Blancas, in order to offer a performance with equal resonance to both Deaf and hearing audiences, and remind us that there is always light through the darkness.”

DJ Kurs, Artistic Director of Deaf West Theatre, said, “Rarely do the opera houses and concert halls throughout the world open their doors to the Deaf community. Together with the LA Phil we have been able to create an experience that brings new facets of music to Deaf and hearing audiences. Fidelio is Deaf West Theatre’s first opera and in thinking about the production we kept returning to the fact that for the Deaf community, music transcends sound. This is something Beethoven knew well and is why he cut the legs off his piano so that he could feel the vibrations of the music on the floor as he lost his own hearing. Movement and language are additional portals to music and with the combination of Beethoven’s powerful score and ASL we are able to offer Deaf audiences an entry into the world of opera. ASL, the central medium of our staging, is an expressive visual language filled with nuance, movement, and poetry that can bring music to life in new ways, creating a synthesis that brings all audiences together.” 


The acclaimed cast features Amelia Hensley (actor) and Christiane Libor (soprano) as Leonore, Josh Castille (actor) and Ian Koziara (tenor) as Florestan, Russell Harvard (actor) and Ryan Speedo Green (bass-baritone) as Rocco, Indi Robinson (actor) and Gabriella Reyes (soprano) as Marzelline, Gregor Lopes (actor) and José Simerilla-Romero (tenor) as Jaquino, Gabriel Silva (actor) and Shenyang (bass-baritone) as Don Pizarro, and Michael Anthony Spady (actor) and Ethan Vincent (baritone) as Don Fernando. The Los Angeles Master Chorale is led by Artistic Director Grant Gershon, and Artistic Director María Inmaculada Velásquez is directing the Coro de Manos Blancas. The entire performance will be signed and sung, with subtitles also provided.

Thursday’s performance (April 14) is generously supported by the Frank Gehry Fund for Creativity and is part of the Otis Booth Foundation Thursday 2 Series. The Friday and Saturday (April 15 and 16) performances are generously supported by an Edgerton Foundation grant. 


Additional support for the Coro de Manos Blancas comes from the Dudamel Foundation.


LISTINGS DETAILS

Beethoven’s Fidelio with Dudamel and Deaf West Theatre
Opera in two acts, libretto by Joseph Sonnleithner, Stephan von Breuning, Friedrich Treitschke
Produced in collaboration with Deaf West Theatre

Thursday, April 14, 2022, 8PM

Friday, April 15, 2022, 8PM

Saturday, April 16, 2022, 8PM 


Beethoven’s Fidelio 



Los Angeles Philharmonic
Gustavo Dudamel, conductor
Alberto Arvelo, director
Joaquín Solano, co-director
Deaf West Theatre, produced by DJ Kurs
Los Angeles Master Chorale

Grant Gershon, Artistic Director; Jenny Wong, Associate Artistic Director
Coro de Manos Blancas
María Inmaculada Velásquez, Artistic Director

Cast:

Leonore: Amelia Hensley (actor), Christiane Libor (soprano)

Florestan: Josh Castille (actor), Ian Koziara (tenor)
Rocco: Russell Harvard (actor), Ryan Speedo Green (bass-baritone)
Marzelline: Indi Robinson (actor), Gabriella Reyes (soprano)
Jaquino: Gregor Lopes (actor), José Simerilla-Romero (tenor)
Don Pizarro: Gabriel Silva (actor), Shenyang (bass-baritone)
Don Fernando: Michael Anthony Spady (actor), Ethan Vincent (baritone)

Artistic Team:
Gabriela Camejo, Artistic Producer
Solange Mendoza, costume designer
James F. Ingalls, lighting designer
Colin Analco, ASL Choreographer
Natasha Ofili, Associate ASL Choreographer


TICKETS & COVID PROTOCOLS



Tickets can be purchased at the LA Phil’s website: laphil.com. 


Prior to attending, audiences are encouraged to view the LA Phil’s updated COVID protocol guidelines posted on the website: LAPhil.com/safety.


ABOUT THE LA PHIL

Under the leadership of Music & Artistic Director Gustavo Dudamel, the LA Phil offers live performances, media initiatives and learning programs that inspire and strengthen communities in Los Angeles and beyond. The Los Angeles Philharmonic orchestra is the foundation of the LA Phil’s offerings, which also include a multi-genre, multidisciplinary presenting program and such youth development programs as YOLA (Youth Orchestra Los Angeles). Performances are offered on three historic stages—Walt Disney Concert Hall, the Hollywood Bowl, and The Ford—as well as through a variety of media platforms. In all its endeavors, the LA Phil seeks to enrich the lives of individuals and communities through musical, artistic and learning experiences that resonate in our world today.  


ABOUT DEAF WEST THEATRE

Founded in Los Angeles in 1991, Tony Award®-winning Deaf West Theatre (Artistic Director, DJ Kurs), engages artists and audiences in unparalleled theater experiences inspired by Deaf culture and the expressive power of sign language, weaving ASL with spoken English to create a seamless ballet of movement and voice. Committed to innovation, collaboration and training, DWT is the artistic bridge between the Deaf and hearing worlds. DWT is currently partnering with Utah Schools for the Deaf and Blind and the National Technical Institute for the Deaf/Sunshine 2.0 for the 2022 National Deaf High School Theatre Festival, in addition to many other projects in development. Recent and past productions include The Solid of Life of Sugar Water by Jack Thorne; Our Town, in a co-production with the Pasadena Playhouse; Edward Albee's At Home at the Zoo, in a co-production with the Wallis Annenberg Center for the Performing Arts; Spring Awakening the Musical, which transferred from Inner-City Arts to the Wallis and then to Broadway (three Tony Award nominations including Best Revival of a Musical); American Buffalo (Los Angeles Times “Critic’s Choice”); Cyrano, a co-production with the Fountain Theatre (Los Angeles Drama Critics Circle Award for Outstanding Production); Big River the Musical (Los Angeles Drama Critics Circle and Backstage Garland awards for Best Musical in its L.A. premiere, Tony nomination and four Drama Desk Awards on Broadway); Pippin, produced at the Mark Taper Forum in a co-production with Center Theatre Group; Sleeping Beauty Wakes, also a co-production with CTG, presented at the Kirk Douglas Theatre; Oliver! (Ovation Award for Best Musical); and A Streetcar Named Desire (Ovation Award for Best Play). In 2005, DWT was selected to receive the Highest Recognition Award by the Secretary of Health and Human Services for its “distinguished contributions to improve and enrich the culture lives of Deaf and hard of hearing actors and theater patrons.”

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